Something a little different to write about today because Daylight Savings Time ends tonight in all the places that have it (celebrate it?). Some places don't have Daylight Savings Time, such as Arizona and a few other places. Depending on where you are in your time zone, there is about an hour difference between the extreme western edge and eastern edge of the zone as far as what time the sun rises and sets. I'm in Los Angeles, so today the sun sets at 5:57 pm PDST. Tomorrow it will set at 4:56 pm Pacific standard time (PST). And on Dec 22, it will set at 4:43 pm PST - much too early! But in Phoenix, on Dec 22, the sun sets at 5:25 pm - so not quite so bad.
What effects can the change from PDST and PST have on people? There have been reports of more car accidents, increased workplace injuries, 5% more heart attacks, longer cyberloafing, increased cluster headaches, and increased pain within days of the changeover due to the changes in circadian rhythms. Sounds sort of similar to jet lag.
A few years ago I decided not to celebrate the end of PDST. I never liked it getting dark so early. Plus there are the other possible side effects listed above, although I don't recall ever having any of those problems. What's the worst thing that could happen? I would be an hour early for something but it's easy enough to remember what the actual time is when I have an event coming up. And there are some things I want to go to an hour earlier, too, so now I can easily do that. What I like best is that it wouldn't get dark until almost 6 pm even on the shortest day. As long as I'm aware of the change back to PDST, I won't overcompensate causing me to be late, which has never happened. Some people may think what I'm doing is odd, but it has worked well for me for the past three years.
If you have children or a large family, it would probably be too confusing to stay on Daylight Savings all year. I'm not suggesting you try this, only that it works for me and might be something to think about, depending on your location in your time zone, your situation, and your preferences.
Meanwhile, don't forget to change your clocks tonight - turn them back one hour (remember, spring ahead, fall back)....or not, ha ha.
Because this is a photography blog, I suppose I should have some photos, no? All were shot at Venice Beach - on the bike path near the art walls (Carolina) and one at the art walls.
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Saturday, November 4, 2017
Thursday, November 2, 2017
Digital Photography or Film?
There are arguments to be made for both. I think it really doesn't matter because it's the end result that matters. Besides, I would imagine that most people who view the final image will have no idea how it was shot and probably not even think about that. Are people really going to look at a beautiful classic image of something (a landscape, portrait, action sports shot, etc.), and think, "Gee, was that shot with film or with a digital camera?" I doubt it. If it's a great shot, I certainly wouldn't care. Each one might give a slightly different rendition - maybe a little more silver here, a little more shade of gray there, more or less grain, etc., but it's really the final image that counts. Each person will see it differently, anyway. Side by side you might see a difference, but by itself as the only copy of the image and without another duplicate image shot with another medium, will anyone really care how it was shot?
I started photography long before digital was even a thought (I used to worry, as more and more photos were shot, about what would happen if we ran out of silver). When I learned photography, my camera was manual only - no autofocus, no auto exposure, no auto white balance, etc. You wouldn't know for sure if everything you shot was going to look good (you couldn't check the back of the camera) and be exposed right until after it was processed, and even if you got everything right, but the processing wasn't done right, you wouldn't get a result you could use. For example, here is a photo of Van Cliburn (the pianist - he was giving a concert and talk at SUNY Fredonia) - everything was good as far as exposure and focus, but I had made the mistake of using chemistry that was mixed by someone else, and it wasn't done correctly. This was the result:
I had taken a bunch of photos of him. This was the only one I could salvage. It was shot during a break in his amazing performance. If I had had my current digital camera back then, I have no doubt I would have had some wonderful photos of him. He was not only a great pianist but a wonderful person. Meeting and talking with him was like talking with an old friend. This was shot with a Nikon FTn and most likely plus-x film.
The point of this article is this: with today's digital cameras, I get almost no photos that are out of focus or that are exposed wrong and with excellent colors. For example, I shot the below photo with the Nikon FTn (film), but had forgotten to change the ASA of the film, and so metered the scene wrong (for the whole roll of film).
We were both up in the tree. Never got the chance to reshoot it. It was shot with Kodachrome, I think ASA 25. I thought I had 100 ASA in the camera. This was the best I could get out of it.
With digital today, it's pretty difficult to mess up the exposure, but even if you do, and you've shot with the camera RAW setting, with post-processing editing software, you can probably not only salvage it but get a pretty good image out of it.
Another advantage to digital is the ability to shoot in low light without a flash or strobe, which keeps getting better. Not to mention shooting perhaps 1000 photos on one memory card. And if that scares you (maybe the card will get corrupted and you'll lose all your shots?) with some cameras you have can have two memory cards and can record each photo on both cards for safety. RAW and jpg images won't fade over time, cost next to nothing, and I've probably left out some other benefits.
Considering the viewer won't notice the difference, and with all the benefits, I'm all digital these days. Now you only have to worry about lighting and composition, and depending on the subject, perhaps posing and expressions.
The photo below was shot at the Muscle Beach weight pen at Venice Beach of a beautiful young lady doing a split. I happened to be walking by, and although the lighting was not ideal, got this shot of her with a Nikon digital camera.
I started photography long before digital was even a thought (I used to worry, as more and more photos were shot, about what would happen if we ran out of silver). When I learned photography, my camera was manual only - no autofocus, no auto exposure, no auto white balance, etc. You wouldn't know for sure if everything you shot was going to look good (you couldn't check the back of the camera) and be exposed right until after it was processed, and even if you got everything right, but the processing wasn't done right, you wouldn't get a result you could use. For example, here is a photo of Van Cliburn (the pianist - he was giving a concert and talk at SUNY Fredonia) - everything was good as far as exposure and focus, but I had made the mistake of using chemistry that was mixed by someone else, and it wasn't done correctly. This was the result:
I had taken a bunch of photos of him. This was the only one I could salvage. It was shot during a break in his amazing performance. If I had had my current digital camera back then, I have no doubt I would have had some wonderful photos of him. He was not only a great pianist but a wonderful person. Meeting and talking with him was like talking with an old friend. This was shot with a Nikon FTn and most likely plus-x film.
The point of this article is this: with today's digital cameras, I get almost no photos that are out of focus or that are exposed wrong and with excellent colors. For example, I shot the below photo with the Nikon FTn (film), but had forgotten to change the ASA of the film, and so metered the scene wrong (for the whole roll of film).
We were both up in the tree. Never got the chance to reshoot it. It was shot with Kodachrome, I think ASA 25. I thought I had 100 ASA in the camera. This was the best I could get out of it.
With digital today, it's pretty difficult to mess up the exposure, but even if you do, and you've shot with the camera RAW setting, with post-processing editing software, you can probably not only salvage it but get a pretty good image out of it.
Another advantage to digital is the ability to shoot in low light without a flash or strobe, which keeps getting better. Not to mention shooting perhaps 1000 photos on one memory card. And if that scares you (maybe the card will get corrupted and you'll lose all your shots?) with some cameras you have can have two memory cards and can record each photo on both cards for safety. RAW and jpg images won't fade over time, cost next to nothing, and I've probably left out some other benefits.
Considering the viewer won't notice the difference, and with all the benefits, I'm all digital these days. Now you only have to worry about lighting and composition, and depending on the subject, perhaps posing and expressions.
The photo below was shot at the Muscle Beach weight pen at Venice Beach of a beautiful young lady doing a split. I happened to be walking by, and although the lighting was not ideal, got this shot of her with a Nikon digital camera.
Tuesday, October 17, 2017
"Where Is Venice Beach?"
As I was wandering around Venice Beach today, as I often do when I'm not playing paddle tennis, that was the question I was asked by a beautiful young skater (see photos). I told her she was standing on it (Venice Beach - or perhaps skating on it?) and then had a nice conversation, including that I was the unofficial Venice Beach photographer - I expanded that from being the unofficial Paddle Tennis Photographer, both of which are true and sound like a good title to have. I've been shooting photos at Venice Beach since 1980. I gave her my unofficial card and hope she will get to see these photos, as the link to this page is on the card. The came out pretty good even as unofficial photos. I also told her she should check out the paddle tennis courts and try playing.
My favorite one!
She asked me if I shot posed photos. I usually don't because I want more relaxed realistic looks. However, these were sort of posed in that she knew I was taking them, but because she was actively skating they were more candid then if she had been just standing still. Below is one photo that does look a bit more posed even though she was rolling by - which would you prefer if that was you, the ones above or below? I prefer the more candid.
I'm glad Carolina found Venice Beach and after asking me where it was and found out that was where she was, too. Got some nice photos and met a wonderful person.
NOTE: If you should stop by here, Carolina, and would like the full-size file, please let me know. Also if you would like to shoot some more photos. Thought these came out great!!!
Monday, October 9, 2017
Pop Tennis Nationals Photos
I'll be adding some larger photos here and on Facebook (my FB page is here), but for now here is a link to most of the photos I shot at the Pop Tennis Nationals. Hope you enjoy: Pop Tennis Nationals at Venice Beach. If you do go to FB and you know some of the people in the photos, please tag them - thanks.
Saturday, September 30, 2017
New: Venice Beach Photography Series
Those who have followed my blog posts have seen as much about health-related topics, especially vaccines, as they have about photography. Years ago I had started another blog called "Fit For Life" which I will now be using for the health-related posts (it was originally used to promote a vitamin business I had been starting, but which I abandoned to work for a vitamin company). Going forward, this blog will be used only for photography related topics.
Sometime around 1980 I moved to Venice, CA and have been taking photos at Venice Beach ever since. Well, except for a good part of the 1990s when I had opened a vitamin health food store in Santa Monica and had to be there pretty much every day.
This beginning series of posts will be about Venice Beach over the years since 1980. Another series will be about headshot and portfolio photography, and various other subjects (lighting, composition, editing, tips and tricks, etc.).
Starting with the Venice Beach series - a little background regarding Venice Beach. On a day to day basis, you never know what you may see. In the 1980s there were a lot of performers - jugglers, mimes, acrobats, etc. At the old Venice Pavilion (which is now gone) there was a skating slalom with some amazing skaters. There were thousands of roller skaters (I was one of them) and a lot of movie and TV filming. And there are many events during the year - the Festival of the Chariots, Muscle Beach bodybuilding and bikini competitions, basketball games, and more recently - National Topless day, and much more.
I think this photo sums up the Venice Beach experience:
There's a good chance that's the kind of day you will have. I'll try to keep the photos in somewhat of a chronological order. All the photos before the year 2000 were shot with a Nikon FTn. Some color photos may have faded a bit before I was able to scan them. They were edited to try to restore them as the best I was able to.
The next photo is of X Swami X (Link to Google for more info) - he came out to the Venice Boardwalk with a step stool that he stood on and told jokes (some x rated, thus his name), talked about politics, etc. He said a Polish parachute is one that opens on impact. Also, he used to say that "all good things must come to an end, but that since this ain't such a good thing, that he would keep on talking for a while." In the early '80s there were a lot of dogs running around Venice Beach, thus the photo.
Next - Skateboard Mama - who could be seen skating and windskating in Venice and Santa Monica well into her 80's - and perhaps she still is, although haven't seen her for a few years. I first met her while she was doing the slalom at Venice Beach and always enjoyed talking with her over the years. Here is a link to Google about her: Skateboard Mama.
The above photo was the first one I shot of her, probably around 1981 or so. The next one was also shot around that time.
Back in the mid '80s I had made a folding postcard of Venice Beach - below are the photos I had included in the card:
Sometime around 1980 I moved to Venice, CA and have been taking photos at Venice Beach ever since. Well, except for a good part of the 1990s when I had opened a vitamin health food store in Santa Monica and had to be there pretty much every day.
This beginning series of posts will be about Venice Beach over the years since 1980. Another series will be about headshot and portfolio photography, and various other subjects (lighting, composition, editing, tips and tricks, etc.).
Starting with the Venice Beach series - a little background regarding Venice Beach. On a day to day basis, you never know what you may see. In the 1980s there were a lot of performers - jugglers, mimes, acrobats, etc. At the old Venice Pavilion (which is now gone) there was a skating slalom with some amazing skaters. There were thousands of roller skaters (I was one of them) and a lot of movie and TV filming. And there are many events during the year - the Festival of the Chariots, Muscle Beach bodybuilding and bikini competitions, basketball games, and more recently - National Topless day, and much more.
I think this photo sums up the Venice Beach experience:
There's a good chance that's the kind of day you will have. I'll try to keep the photos in somewhat of a chronological order. All the photos before the year 2000 were shot with a Nikon FTn. Some color photos may have faded a bit before I was able to scan them. They were edited to try to restore them as the best I was able to.
The next photo is of X Swami X (Link to Google for more info) - he came out to the Venice Boardwalk with a step stool that he stood on and told jokes (some x rated, thus his name), talked about politics, etc. He said a Polish parachute is one that opens on impact. Also, he used to say that "all good things must come to an end, but that since this ain't such a good thing, that he would keep on talking for a while." In the early '80s there were a lot of dogs running around Venice Beach, thus the photo.
Next - Skateboard Mama - who could be seen skating and windskating in Venice and Santa Monica well into her 80's - and perhaps she still is, although haven't seen her for a few years. I first met her while she was doing the slalom at Venice Beach and always enjoyed talking with her over the years. Here is a link to Google about her: Skateboard Mama.
The above photo was the first one I shot of her, probably around 1981 or so. The next one was also shot around that time.
This photo of Skateboard Mama was shot in 2006 with a Panasonic FZ30 digital camera.
Back in the mid '80s I had made a folding postcard of Venice Beach - below are the photos I had included in the card:
View of Ocean Front Walk.
View of Venice Canals from Venice Boulevard.
Windward Avenue looking east from Venice Beach.
The old Muscle Beach weight pen with Annie's (no longer there) in the background.
LAPD officer Kelly Shea with one of the postcards. I can't say enough nice things about her - she was a great police officer and a totally wonderful person. Sadly, she passed away from breast cancer a few years ago.
Hope you've enjoyed this post. Have a wonderful weekend (and week).
Thursday, September 21, 2017
Calibrating Your Photography
Calibrations - Some say you have to calibrate your monitor. Why? No, really, why? There are a lot more reasons why you don't need to than why you do. If you are a professional photographer working on an ad campaign or for a magazine, then you would probably need to, although I know of one photographer who said she never does...and she is one of the top photographers in her field. And photo labs need to calibrate their equipment to give their customers consistent results. But for an individual photographer, calibration would add time and cost...and most likely not make a bit of difference in the end result. He or she would need a much more expensive monitor, plus the calibration software.
If you send your photos to a lab, with proper instructions, after a few times they will learn how you like your images printed. If you do them yourself, you will also learn how to get them to look the way you want. Everyone has a different monitor, so unless everyone calibrates theirs, if you send them your images they will look different on their computer, tablet, or cell phone monitors anyway. Also, everyone's color vision is not the same. Once you have a print that you like, then all you have to do is lighten or darken the monitor to match, perhaps change a few other settings. And from then on, what you see on your screen and the print output should be the same. Actually, I suppose you could call that a calibration of sorts, but not the calibration photographers are talking about.
Back in the film days, when I used to make prints in the darkroom, I would make a test prints with several different exposures on strips of photo paper, and then look at them in the light to see which was best. The same can be done now if needed. If you're having a large print made (say 24x30 or larger), crop the most important part of the photo (say into a 4x5 of the same part of the image) and ask the lab for a few sample prints. Then you can tell them which one you prefer. You may also want to know what kind of light it will be viewed under (daylight, tungsten, how light or dark the environment, etc.) as that will affect how it will appear. And finally, it may also depend on what material the image is printed on - paper, metal, canvas, wood, etc.
How you shoot the photo in your camera can also make a difference. This is why I shoot in RAW - I can then adjust the white balance (color balance) in Lightroom if needed, along with any other adjustments without worrying about artifacts showing up (artifact, as used here, means any feature that is not naturally present but is a product of an extrinsic agent, method, or the like) fine-tuning it. If I shot in jpg and had the wrong white balance set, and saved it multiple times trying to get the color balance correct, it might result in unwanted artifacts showing - perhaps banding, noise, etc. (see photos below). You'll know when you see them. Eliminate the variables. White balance is one of them. You don't need to think about camera calibration when you shoot in RAW, although you still need correct exposure, and once you know how your camera renders the images, you can set Lightroom (or whatever program you use) to adjust for color/white balance and exposure during import, and then
This is how I shoot and edit - it works very well for portraits, headshots, street photography, natural beauty, nature, or whatever else I shoot. The important thing is that people love the final photos.
If you send your photos to a lab, with proper instructions, after a few times they will learn how you like your images printed. If you do them yourself, you will also learn how to get them to look the way you want. Everyone has a different monitor, so unless everyone calibrates theirs, if you send them your images they will look different on their computer, tablet, or cell phone monitors anyway. Also, everyone's color vision is not the same. Once you have a print that you like, then all you have to do is lighten or darken the monitor to match, perhaps change a few other settings. And from then on, what you see on your screen and the print output should be the same. Actually, I suppose you could call that a calibration of sorts, but not the calibration photographers are talking about.
Back in the film days, when I used to make prints in the darkroom, I would make a test prints with several different exposures on strips of photo paper, and then look at them in the light to see which was best. The same can be done now if needed. If you're having a large print made (say 24x30 or larger), crop the most important part of the photo (say into a 4x5 of the same part of the image) and ask the lab for a few sample prints. Then you can tell them which one you prefer. You may also want to know what kind of light it will be viewed under (daylight, tungsten, how light or dark the environment, etc.) as that will affect how it will appear. And finally, it may also depend on what material the image is printed on - paper, metal, canvas, wood, etc.
How you shoot the photo in your camera can also make a difference. This is why I shoot in RAW - I can then adjust the white balance (color balance) in Lightroom if needed, along with any other adjustments without worrying about artifacts showing up (artifact, as used here, means any feature that is not naturally present but is a product of an extrinsic agent, method, or the like) fine-tuning it. If I shot in jpg and had the wrong white balance set, and saved it multiple times trying to get the color balance correct, it might result in unwanted artifacts showing - perhaps banding, noise, etc. (see photos below). You'll know when you see them. Eliminate the variables. White balance is one of them. You don't need to think about camera calibration when you shoot in RAW, although you still need correct exposure, and once you know how your camera renders the images, you can set Lightroom (or whatever program you use) to adjust for color/white balance and exposure during import, and then
This is how I shoot and edit - it works very well for portraits, headshots, street photography, natural beauty, nature, or whatever else I shoot. The important thing is that people love the final photos.
The photo above taken at the Santa Monica Pier is the original with some minor adjustments and saved once.
This second photo has been saved multiple times, resulting in more noise and artifacts, which is pretty obvious in the sky and the wooden pier.
Wednesday, September 6, 2017
GMO's & Glyphosate, and Vaccines
I always thought GMO's were bad for you, and that glyphosate (and Roundup) were probably carcinogens. The reason was that I wondered how our bodies could possibly use "food" that it never before encountered. It may be made of the same basic ingredients, but in forms that it wouldn't recognize. Sort of like changing a key and expecting it to open the same lock, even though the key is still made of the same metal. After watching GMO's Revealed over the last nine days (yes, all nine episodes, each around 2 hours in length), I've discovered that GMO's are infinitely worse than I had thought. I am so glad I've avoided them as much as I have, which is almost 100%, except perhaps by accident or if eating out, which I seldom do.
What has happened over the last 40 years? Fertility rates have dropped 50%, autism has gone from around 1 in 10,000 to 1 in 48 (1 in 25 for boys), diabetes has skyrocketed, cancer is skyrocketing (and at younger ages) as have many other health problems. Even sports injuries have been rising. If you were to draw graphs of all these changes and compare it to graphs of glyphosate and Roundup usage, GMO production, and vaccinations, you would see parallel slopes. The GMO's Revealed went into details into how this is happening and how they interact with our bodies, and after watching it I have no doubt these, as well as vaccines, are responsible for our current state of health in this country.
Occasionally, something I've eaten may have had hidden GMO's - like anything with soy, corn, or canola. They even put canola in trail mixes. Fructose is from corn, but even from organic corn it is still bad for you, but worse if from regular corn (GMO).
How do you go non-GMO? By going organic or non-GMO certified. If you are experiencing health problems and no one knows why, do what I did 40 years ago - go to a healthy diet, which means no GMO's and preferably organic. Eliminate chemicals, artificial ingredients, sugars, added natural flavors (which may not be so natural), and do this for at least 6 - 12 months. Then see how you feel at the end of that time.
What else should you do? Look around you. Talk to your friends and neighbors and those who are not well, find out what kind of food they eat - most likely fast foods, processed foods, and junk foods - all of which probably contain GMO's. And see who never gets sick and find out what they eat. I've lived both ways, and before age 30 I was sick several times a year and had many other health problems. I got sick and tired of being sick and tired and changed my diet, then added supplements to it, and now no longer get sick and got rid of the other health problems. It has made a huge difference in the quality of my life.
One more piece of food for thought - they claim GMO foods are the same as regular foods. If they are the same they couldn't patent them, could they? So they are not the same. When the body sees something it doesn't recognize, the immune system attacks it.
What has happened over the last 40 years? Fertility rates have dropped 50%, autism has gone from around 1 in 10,000 to 1 in 48 (1 in 25 for boys), diabetes has skyrocketed, cancer is skyrocketing (and at younger ages) as have many other health problems. Even sports injuries have been rising. If you were to draw graphs of all these changes and compare it to graphs of glyphosate and Roundup usage, GMO production, and vaccinations, you would see parallel slopes. The GMO's Revealed went into details into how this is happening and how they interact with our bodies, and after watching it I have no doubt these, as well as vaccines, are responsible for our current state of health in this country.
Occasionally, something I've eaten may have had hidden GMO's - like anything with soy, corn, or canola. They even put canola in trail mixes. Fructose is from corn, but even from organic corn it is still bad for you, but worse if from regular corn (GMO).
How do you go non-GMO? By going organic or non-GMO certified. If you are experiencing health problems and no one knows why, do what I did 40 years ago - go to a healthy diet, which means no GMO's and preferably organic. Eliminate chemicals, artificial ingredients, sugars, added natural flavors (which may not be so natural), and do this for at least 6 - 12 months. Then see how you feel at the end of that time.
What else should you do? Look around you. Talk to your friends and neighbors and those who are not well, find out what kind of food they eat - most likely fast foods, processed foods, and junk foods - all of which probably contain GMO's. And see who never gets sick and find out what they eat. I've lived both ways, and before age 30 I was sick several times a year and had many other health problems. I got sick and tired of being sick and tired and changed my diet, then added supplements to it, and now no longer get sick and got rid of the other health problems. It has made a huge difference in the quality of my life.
One more piece of food for thought - they claim GMO foods are the same as regular foods. If they are the same they couldn't patent them, could they? So they are not the same. When the body sees something it doesn't recognize, the immune system attacks it.
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